The IMDB Hollywood Movie LUTS by foureditors pack is a collection of over 150 unique LUTs designed for cinematic color grading. These looks are inspired by the IMDB Top 150 movies. It’s built for video editors, filmmakers, and content creators looking to apply a specific movie look to their footage quickly. The main thing to note upfront is that while it promises broad compatibility, it doesn’t specify support for camera log profiles, which is a key detail for many professional workflows.
What You Get in This LUT Pack: Count, Looks, and File Formats
This pack delivers more than 150 unique Hollywood LUTs. These aren’t just generic looks; they’re handcrafted by a team of industry professionals and custom-made. Each LUT is inspired by a different movie from the IMDB Top 150 list, so you’re getting looks that aim for established cinematic styles.
All the LUTs come as .cube files. This is a standard format, which explains their broad compatibility across different software. They’re designed for a range of resolutions and aspect ratios, which is a big plus. You get options for 4K (3840×2160), Full HD (1920×1080), Vertical (1080×1350), Story (1080×1920), and Square (1080×1080).
When you download the pack, you’ll also find a video installation guide specific to each supported video editing software. That’s a helpful addition, especially if you’re new to installing LUTs. The total download size varies depending on the source; Source A states 200 MB, while Source B lists 1 GB. Either way, it’s an instant digital download with 24/7 access.
Where the IMDB Hollywood Movie LUTS Fits in Your Grading Workflow
These LUTs are designed to fit into pretty much any modern video editing workflow, given the extensive compatibility list. They’re .cube files, which means a simple drag-and-drop workflow is featured, making them straightforward to apply. A LUT like this is typically a creative look, something you’d apply after you’ve handled your primary corrections like white balance and exposure. You get your footage looking neutral and balanced first, then you apply one of these LUTs to give it that specific cinematic mood.
The foureditors team built these LUTs to work with a long list of popular video editing software. This includes professional tools like Adobe Premiere Pro, Adobe After Effects, DaVinci Resolve, and Final Cut Pro. But it also covers a lot of other options, from CapCut and Filmora to Vegas Pro, LumaFusion, Avid Media Composer, CyberLink PowerDirector, Movavi Video Editor, HitFilm Express, Magix Movie, Pinnacle Studio, and Corel VideoStudio. That’s a lot of ground covered.
Beyond specific software, the LUTs are compatible with Windows and macOS, running on PCs, laptops, tablets, and even mobile apps. The creators state these LUTs work with ‘all versions’ of compatible editing software. This is a broad claim, and while helpful for current users, it’s worth noting that specific version compatibility isn’t detailed, which could be a consideration for very old software or future updates.
What Kind of Footage and Mood These LUTs Suit
If you’re aiming for a “cinematic” feel, especially one reminiscent of popular Hollywood productions, this pack is designed for you. The inspiration from the IMDB Top 150 movies tells you exactly the kind of aesthetic foureditors is going for: established, recognizable film looks. These aren’t subtle utility LUTs; they’re creative tools meant to imbue your footage with a specific mood and color palette.
Because they’re built for various resolutions and aspect ratios, from standard 16:9 Full HD and 4K to vertical, story, and square formats, they’re suitable for a wide range of content. Whether you’re cutting a short film, creating content for social media, or working on a client video, if you want a “movie look,” these LUTs are positioned as a direct way to get there. They’re meant for footage where you want a strong, stylistic grade rather than a transparent technical conversion.
Which Cameras and Log Profiles These LUTs Are Built For, and What If Yours Is Not on the List
This is where things get a bit less specific. The creator doesn’t publish any details about specific camera log profiles these LUTs are built for. Many professional cameras shoot in a “log” format (like S-Log3, V-Log, C-Log, ProRes RAW, Blackmagic RAW, etc.) to capture the widest dynamic range. These log profiles require a specific conversion LUT or a manual grade to bring them back to a normal color space before applying a creative LUT.
Since no specific log profiles are mentioned, you’ll likely need to do that initial conversion yourself. If you shoot S-Log3, this is the part that matters: you’d apply your S-Log3 to Rec.709 conversion first, and then layer on one of the IMDB Hollywood Movie LUTS. Applying a creative LUT directly to log footage without that initial conversion usually results in an overly contrasty, crushed, or desaturated image. It’s a common workflow step for colorists, but it’s important to understand it’s not handled automatically by this pack.
Limits and Who Should Skip It
The primary limitation of this pack, judging by the published facts, is the lack of information on specific camera log profile support. For professional filmmakers and videographers who shoot in log formats, this means an extra step is required in their workflow. You’ll need to apply a technical conversion LUT to your log footage before applying any of these creative LUTs. If you’re looking for a one-click solution that handles log transformations directly, this isn’t it.
Another point to consider is that while “all versions” of compatible software are mentioned, this is a very broad statement. Very old software versions might still encounter unexpected issues, though the .cube format is widely supported. If your workflow relies heavily on specific, complex camera profiles or you prefer to build your grades from scratch rather than using pre-made looks, you might find this pack too restrictive. Skip this if you need LUTs designed for specific camera log profiles out of the box, or if you prefer a more technical starting point for your color work.
So, Are These LUTs for You?
If you’re a video editor or content creator who wants to quickly apply popular cinematic looks inspired by Hollywood movies, and you’re comfortable with a standard grading workflow (including handling any log conversions yourself), this pack offers a lot of variety. It’s especially useful if you need looks compatible across a wide range of editing software and devices. However, if your projects demand specific technical LUTs for various camera log profiles without manual intervention, or if you prefer to craft every aspect of your grade from the ground up, you might want to consider other options.
Questions people ask
What software programs are compatible with the IMDB Hollywood Movie LUTS?
The LUTs are compatible with Adobe Premiere Pro, Adobe After Effects, DaVinci Resolve, Final Cut Pro, CapCut, Filmora, Vegas Pro, LumaFusion, Avid Media Composer, CyberLink PowerDirector, Movavi Video Editor, HitFilm Express, Magix Movie, Pinnacle Studio, and Corel VideoStudio. They also work on Windows, macOS, PCs, laptops, tablets, and mobile apps.
What file format are the LUTs provided in?
All the LUTs in the pack are provided as .cube files, which is a widely supported format for color grading applications.
Can these LUTs be used for commercial projects?
Yes, the pack comes with a commercial license, allowing you to use the LUTs in any project, including commercial work.
What resolutions and aspect ratios do the LUTs support?
Each LUT is designed for multiple resolutions and aspect ratios, including 4K (3840×2160), Full HD (1920×1080), Vertical (1080×1350), Story (1080×1920), and Square (1080×1080).
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